The nostalgia that drips in through my eyes, and suddenly you can’t see anything but the salty water.
YAU TONG
Shot on 120mm and 35mm film with Adam Shek in Hong Kong. I left Hong Kong a week later and we decided to conceptualize the idea of absent love. Love separated, love just missed, love left. We captured him wanting, searching and inevitably, leaving. The sunset on my walk home that day was ephemeral.
